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REVIEWS"This band plays with lots of energy and enthusiasm. Dale has crafted a solid batch of original tunes, which is a welcomed break from the usual covers of standard blues songs. Overall, this is a strong initial effort from a new band – and a welcomed return by Jeff Dale." "Blues From The South Side Of My Soul is a great album, which gives us a crystal clear picture of excellent guitarist Jeff Dale. This album Jeff presents his vision with the presentation of 11 blues songs, which you must have. This music is ornamented dynamic and steady rhythm, sensitive guitar and expressive vocals. All in all, the album Blues From The South Side Of My Soul radiates the power of the blues." "Rowdy, loud, naughty-naughty-down-and-bawdy South Side Chicago style blues — like those you’ll hear from guitarist Jeff Dale and the South Woodlawners Saturday night at Arcadia Blues Club — top my hit list. Dale was born and raised on the Windy City’s South Side, an incredible incubator for hurts-so-good sounds. He started playing at 13, taught by a couple of itinerant blues players, and soon began songwriting. He eventually relocated to Southern California, where he hooked up with the Blue Wave Band, releasing two albums of his original songs. Before taking a break from the music scene for a few years, Dale worked with luminaries like Etta James, Pee Wee Crayton, Clifton Chenier and many others. He’s resurfaced more ferociously than ever with the South Woodlawners — the band’s bad-boy image coming through on songs like “Grown Ass Man,” “My Way or the Highway” and “I’d Hit It” — and a new album, “Blues from the South Side of my Soul.” This is the Chicago native’s first album for twenty years, after disappearing from the scene back in the late-80s. This is good old Chicago Blues, as you’d expect, played with guts and feeling. The album is an enjoyable romp; the eleven tracks are all originals and feature harp, piano, saxophone and trumpet, as well as Dale’s guitar. The title track is a well-written rocking Blues, whilst the trumpet driven ‘Alabama Lovin’’ is an uptempo, funky cut, with a nice snatch of electric guitar. ‘Nothin’ But The Blues’ is a good slow number, with the narrator wishing his woman nothing but trouble, and featuring another fine solo. ‘Grown Ass Man’ is a warning to the ladies not to mess with the band, as these are “real men” and won’t be acting like children in the bedroom.
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